"The Besson BE982 EEb Tuba is created with a high position mouthpipe for the marching band and is fitted with carriage rings and a lyre holder for comfort and convenience. Its slightly narrower mouthpipe gives the BE982 a brighter, clear tone"
Tuesday, February 14, 2006
Besson BE982 Series Eb Tuba
Tuba and Sousaphone Online
"The Besson BE982 EEb Tuba is created with a high position mouthpipe for the marching band and is fitted with carriage rings and a lyre holder for comfort and convenience. Its slightly narrower mouthpipe gives the BE982 a brighter, clear tone"
"The Besson BE982 EEb Tuba is created with a high position mouthpipe for the marching band and is fitted with carriage rings and a lyre holder for comfort and convenience. Its slightly narrower mouthpipe gives the BE982 a brighter, clear tone"
Mainline Trombone Stand
"Our best value in trombone stands!! The Mainline features tubular design and holds your t-bone securely."
Mainline Trumpet Stand
Trumpet Info and Specs
"The Mainline stands represent one of the best deals in trumpet stands. They feature a tubular design that keeps them lightweight yet very sturdy. Black anodized."
"The Mainline stands represent one of the best deals in trumpet stands. They feature a tubular design that keeps them lightweight yet very sturdy. Black anodized."
Monday, February 13, 2006
Music123
Music123
"Baritone / Euphonium FAQ
Frequently Asked Questions concerning what to look for when purchasing a baritone or euphonium
Author: © 2004 Woodwind and Brasswind
Q. What is the difference between a baritone and a euphonium?
A. Simple. A baritone is cylindrical, the euphonium is conical. That is, a baritone has a bore that stays mostly the same size until the bell flare. A euphonium has a bore that gets larger all the way through the length of the instrument. In the United States, the instruments that are commonly used in bands are euphoniums.
Q. Should I buy a 3 or 4 valve euphonium?
A. A 4-valve euphonium is always the preferable choice. The addition of the extra valve, whether compensating or not, will greatly improve low range facility. The 4th valve will aid extension of the low register as well as improve low register intonation.
Q. What is the difference between a compensating and a non-compensating Euphonium?
A. A compensating euphonium simply adds extra tubing to “compensate” for the low register tendency of being sharp. When the 4th valve is depressed, air is redirected through an auxiliary set of slides on valves 1 through 3, when they are used. These auxiliary slides lower the pitch even more to help bring the lower notes closer to in tune. A non-compensating euphonium has a 4th valve that acts as any other valve. In this case, the pitch is lowered 2-1/2 steps. The performer must do any other adjustment needed to bring the low range in tune.
Q. What are the differences in mouthpiece shank sizes?
A. Many years ago, there was no industry standard for euphonium mouthpiece receivers. Over time, manufacturers found that they needed to make instruments that were compatible with modern mouthpieces. They found that the only difference between trombone and euphonium mouthpieces was in the shank size. (The shank size is the diameter and taper of the end of the mouthpiece that goes into the instrument.)"
"Baritone / Euphonium FAQ
Frequently Asked Questions concerning what to look for when purchasing a baritone or euphonium
Author: © 2004 Woodwind and Brasswind
Q. What is the difference between a baritone and a euphonium?
A. Simple. A baritone is cylindrical, the euphonium is conical. That is, a baritone has a bore that stays mostly the same size until the bell flare. A euphonium has a bore that gets larger all the way through the length of the instrument. In the United States, the instruments that are commonly used in bands are euphoniums.
Q. Should I buy a 3 or 4 valve euphonium?
A. A 4-valve euphonium is always the preferable choice. The addition of the extra valve, whether compensating or not, will greatly improve low range facility. The 4th valve will aid extension of the low register as well as improve low register intonation.
Q. What is the difference between a compensating and a non-compensating Euphonium?
A. A compensating euphonium simply adds extra tubing to “compensate” for the low register tendency of being sharp. When the 4th valve is depressed, air is redirected through an auxiliary set of slides on valves 1 through 3, when they are used. These auxiliary slides lower the pitch even more to help bring the lower notes closer to in tune. A non-compensating euphonium has a 4th valve that acts as any other valve. In this case, the pitch is lowered 2-1/2 steps. The performer must do any other adjustment needed to bring the low range in tune.
Q. What are the differences in mouthpiece shank sizes?
A. Many years ago, there was no industry standard for euphonium mouthpiece receivers. Over time, manufacturers found that they needed to make instruments that were compatible with modern mouthpieces. They found that the only difference between trombone and euphonium mouthpieces was in the shank size. (The shank size is the diameter and taper of the end of the mouthpiece that goes into the instrument.)"
French Horn FAQ
Music123
"French Horn FAQ
Frequently Asked Questions about the French Horn
Courtesy of: © 2004, Woodwind & Brasswind
Q. What is the difference between the single and double horn?
A. Single French Horns are most commonly built in the key of “F”, while double horns are in both “F” and “Bb”. Most beginners start on Single “F” horns because they are lighter, slightly more compact and therefore more portable; and because of their lightness, they are easier to hold and play, especially for the younger student. The addition of the “Bb” side to a horn mainly makes the higher range easier but the addition of the thumb trigger (that changes back and forth between “F” and “Bb” sides) does make the fingerings more complex.
Q. What are the differences between “Kruspe” wrap horns and “Geyer” wrap horns?
A. The most noticeable difference between Kruspe wrap horns and Geyer wrap horns is the positioning of the “Bb/F” thumb rotor. On the Kruspe style horns the change valve is located before the three main valves. (This is the most common style of horn built today.) On the Geyer style horns, the change valve is located after the three main valves. The positioning of the change valve on the Geyer style horns virtually eliminates all the sharp bends in the tubing. Geyer wrap horns have historically been medium bell horns, where Kruspe wrap horns have been larger bell horns. Neither design seems to be inherently superior nor fine horns are made in both designs.
Q. What is the difference between medium size bell horns and larger bell horns?
A. Larger bell horns are mot as resistant and are “free blowing” instruments. They do take more air to play and are better suited to larger ensembles that demand more constant loud playing. Medium/small bell horns tend to have more resistance but quicker response. In general, they are preferred by players in smaller groups or that do solo playing."
"French Horn FAQ
Frequently Asked Questions about the French Horn
Courtesy of: © 2004, Woodwind & Brasswind
Q. What is the difference between the single and double horn?
A. Single French Horns are most commonly built in the key of “F”, while double horns are in both “F” and “Bb”. Most beginners start on Single “F” horns because they are lighter, slightly more compact and therefore more portable; and because of their lightness, they are easier to hold and play, especially for the younger student. The addition of the “Bb” side to a horn mainly makes the higher range easier but the addition of the thumb trigger (that changes back and forth between “F” and “Bb” sides) does make the fingerings more complex.
Q. What are the differences between “Kruspe” wrap horns and “Geyer” wrap horns?
A. The most noticeable difference between Kruspe wrap horns and Geyer wrap horns is the positioning of the “Bb/F” thumb rotor. On the Kruspe style horns the change valve is located before the three main valves. (This is the most common style of horn built today.) On the Geyer style horns, the change valve is located after the three main valves. The positioning of the change valve on the Geyer style horns virtually eliminates all the sharp bends in the tubing. Geyer wrap horns have historically been medium bell horns, where Kruspe wrap horns have been larger bell horns. Neither design seems to be inherently superior nor fine horns are made in both designs.
Q. What is the difference between medium size bell horns and larger bell horns?
A. Larger bell horns are mot as resistant and are “free blowing” instruments. They do take more air to play and are better suited to larger ensembles that demand more constant loud playing. Medium/small bell horns tend to have more resistance but quicker response. In general, they are preferred by players in smaller groups or that do solo playing."
Friday, February 03, 2006
Kanstul ZKC1531 Professional Bb Cornet
More Info and Specs
"This professional Bb cornet features triggers on both the first and third valves slides for precise tuning. Two Amado water keys, plus hand fitted Monel valves with metal valve guides for worry-free performance. This cornet will meet and surpass the needs of any performer."
"This professional Bb cornet features triggers on both the first and third valves slides for precise tuning. Two Amado water keys, plus hand fitted Monel valves with metal valve guides for worry-free performance. This cornet will meet and surpass the needs of any performer."
Yamaha YTR8335 LA Series Custom Bb Trumpet
More Info and Specs
"The YTR8335 LA Series Custom Bb Trumpet was developed in cooperation with famed LA studio veteran Wayne Bergeron. Designed for players needing an open instrument that is flexable and free-blowing, takes the same bell of the Yamaha 8301Z trumpet and adds a large bore tuning slide and a Malone MB1 leadpipe. Perfect for the needs of both the soloist and the lead player in the trumpet section."
"The YTR8335 LA Series Custom Bb Trumpet was developed in cooperation with famed LA studio veteran Wayne Bergeron. Designed for players needing an open instrument that is flexable and free-blowing, takes the same bell of the Yamaha 8301Z trumpet and adds a large bore tuning slide and a Malone MB1 leadpipe. Perfect for the needs of both the soloist and the lead player in the trumpet section."
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