Thursday, April 20, 2006
Sunday, April 16, 2006
Buying Guides » Trombone
Trombones are relatively simple brass instruments. Still, many parents and beginning adults need help in selecting an instrument suitable for their needs and budget. The Giardinelli staff has provided this short course in trombone basics to assist you in choosing the right horn.
Types of trombones
There are three major types: straight tenor, trigger-type tenor (also referred to as F-rotor or F-attachment), and bass trombones. Valve trombones and alto trombones are specialty horns we won't discuss here.
How To Select Your Trombone A: The straight trombone is the simplest, with no tubing inside the main section. The F-rotor trombone has extra tubing within the main loop. It's a straight trombone until this tubing is activated with a trigger. This makes the horn longer, changing its tuning from Bb to F. More about the advantages of this later. The bass trombone is a larger bore version of the F-rotor trombone that adds a second rotor to extend its low-end even further.
Typically, students start with a straight tenor trombone and later graduate to a horn with the F-rotor, but this isn't a hard and fast rule. If you don't use the trigger, the F-rotor horn plays exactly the same as a straight trombone. You can wait to learn the F-rotor when you're ready. On the other hand, for many applications, even advanced players stay with a straight trombone.
Student, intermediate, and professional
These are standard classifications from manufacturers that frequently appear in our catalog as part of the name. While they do refer to the overall quality and feature sets of the instruments, they are not precise classifications that reference specific features and will vary from brand to brand. Use them for general guidance.
Large bore, small bore
The bore of a trombone is the inner diameter of the inner slide and is expressed in thousandths of an inch. The range is from about .481" (for students) to .547" (for symphonic use), on up to .562" (for bass trombone). Smaller bore horns have a brighter, more focused sound; while larger bores tend toward a darker or warmer and bigger sound. Bore size also effects a horn's resistance or back pressure. A smaller bore creates more resistance, a larger bore less. More resistance is usually better for student players because it makes it easier to support a tone. Amount of resistance is also a matter of taste. Some players prefer more resistance, some less.
Another variation is the dual-bore trombone. This simply means that the slide is smaller on one side and expands to a larger diameter on the other. It gives the player more initial resistance from the narrower bore, but then opens up for a bigger sound. Student level trombones will seldom if ever have a double bore. It is a step-up feature.
For the beginning player-especially young players-it is best to choose a smaller bore horn, somewhere in the range from .481" to .525" because it takes less air to support a usable tone. Intermediate players may want a medium or larger bore instrument for a fuller and potentially more forceful sound, but this isn't a hard and fast rule. Symphonic trombonists tend to use the larger bore trombones, typically around .547". Bass trombones usually have a bore up around .562".
How To Select Your Trombone The F-rotor factor
An F-rotor adds complexity and extends the trombone's capabilities. Most importantly it adds notes to the horn's low range. It also provides alternative ways of playing certain passages, making them easier.
How To Select Your Trombone B, C: There are two basic types of F-rotor. A traditional or standard wrap has more bends in it which makes it more compact but also increases resistance. The open wrap type has fewer bends for a freer-blowing trombone.
Bells
Trombone bells can be be made of yellow brass, red brass, or silver. Yellow brass is most common. The other metals color the sound in subtle ways. Rose brass is warmer and silver warmer yet.
Cosmetic considerations
Lacquer finishes are the most common. Plated finishes are regarded as higher-quality finishes because they have less dampening effect on vibration. Most consider silverplated horns to be flashier, but they require more maintenance because they tarnish. And though a snazzier looking horn may not sound significantly better than another, what good looks can do is engender pride in the instrument, inspiring more devotion to practice and care for the instrument.
Summing it up
The biggest factor in which trombone you choose is, of course, the amount you can appropriately spend. Beyond that, your needs and level of musicianship should determine your choice. Choose a smaller bore horn for the beginning student. One that is designated as a student model will likely be a more durable instrument. Consider a medium bore horn for the intermediate player, as well as such step-up features as an F-rotor, dual bore, rose brass or sterling bells, and plated finishes. We hope the information provided here help you choose a trombone that is perfect for your needs.
Types of trombones
There are three major types: straight tenor, trigger-type tenor (also referred to as F-rotor or F-attachment), and bass trombones. Valve trombones and alto trombones are specialty horns we won't discuss here.
How To Select Your Trombone A: The straight trombone is the simplest, with no tubing inside the main section. The F-rotor trombone has extra tubing within the main loop. It's a straight trombone until this tubing is activated with a trigger. This makes the horn longer, changing its tuning from Bb to F. More about the advantages of this later. The bass trombone is a larger bore version of the F-rotor trombone that adds a second rotor to extend its low-end even further.
Typically, students start with a straight tenor trombone and later graduate to a horn with the F-rotor, but this isn't a hard and fast rule. If you don't use the trigger, the F-rotor horn plays exactly the same as a straight trombone. You can wait to learn the F-rotor when you're ready. On the other hand, for many applications, even advanced players stay with a straight trombone.
Student, intermediate, and professional
These are standard classifications from manufacturers that frequently appear in our catalog as part of the name. While they do refer to the overall quality and feature sets of the instruments, they are not precise classifications that reference specific features and will vary from brand to brand. Use them for general guidance.
Large bore, small bore
The bore of a trombone is the inner diameter of the inner slide and is expressed in thousandths of an inch. The range is from about .481" (for students) to .547" (for symphonic use), on up to .562" (for bass trombone). Smaller bore horns have a brighter, more focused sound; while larger bores tend toward a darker or warmer and bigger sound. Bore size also effects a horn's resistance or back pressure. A smaller bore creates more resistance, a larger bore less. More resistance is usually better for student players because it makes it easier to support a tone. Amount of resistance is also a matter of taste. Some players prefer more resistance, some less.
Another variation is the dual-bore trombone. This simply means that the slide is smaller on one side and expands to a larger diameter on the other. It gives the player more initial resistance from the narrower bore, but then opens up for a bigger sound. Student level trombones will seldom if ever have a double bore. It is a step-up feature.
For the beginning player-especially young players-it is best to choose a smaller bore horn, somewhere in the range from .481" to .525" because it takes less air to support a usable tone. Intermediate players may want a medium or larger bore instrument for a fuller and potentially more forceful sound, but this isn't a hard and fast rule. Symphonic trombonists tend to use the larger bore trombones, typically around .547". Bass trombones usually have a bore up around .562".
How To Select Your Trombone The F-rotor factor
An F-rotor adds complexity and extends the trombone's capabilities. Most importantly it adds notes to the horn's low range. It also provides alternative ways of playing certain passages, making them easier.
How To Select Your Trombone B, C: There are two basic types of F-rotor. A traditional or standard wrap has more bends in it which makes it more compact but also increases resistance. The open wrap type has fewer bends for a freer-blowing trombone.
Bells
Trombone bells can be be made of yellow brass, red brass, or silver. Yellow brass is most common. The other metals color the sound in subtle ways. Rose brass is warmer and silver warmer yet.
Cosmetic considerations
Lacquer finishes are the most common. Plated finishes are regarded as higher-quality finishes because they have less dampening effect on vibration. Most consider silverplated horns to be flashier, but they require more maintenance because they tarnish. And though a snazzier looking horn may not sound significantly better than another, what good looks can do is engender pride in the instrument, inspiring more devotion to practice and care for the instrument.
Summing it up
The biggest factor in which trombone you choose is, of course, the amount you can appropriately spend. Beyond that, your needs and level of musicianship should determine your choice. Choose a smaller bore horn for the beginning student. One that is designated as a student model will likely be a more durable instrument. Consider a medium bore horn for the intermediate player, as well as such step-up features as an F-rotor, dual bore, rose brass or sterling bells, and plated finishes. We hope the information provided here help you choose a trombone that is perfect for your needs.
Selecting Your Next Trumpet
Selecting Your Next Trumpet
Often parents unfamiliar with brass instruments are faced with the task of selecting an instrument for their son or daughter. To help you sort through all the possibilities, our Giardinelli staff has put together this brief guide to choosing an appropriate trumpet.
Types of trumpets
This is easy. Basically, trumpets are all of a kind. You can think of cornets and flugelhorns as kinds of trumpets: same fingering, same key, same range, same basic design. They only differ in shape, length, and bore size. They all have the same kind of tone, just in different colorings. Trumpets have a sharp, brilliant sound. Cornets sound a little thicker and richer, and just slightly mellower. The flugelhorn's sound is very full and soft, even fluffy. Cornets have become more rare over the years but are considered the same as trumpets in school bands. Ask the director. Flugelhorns often serve as second instruments for intermediate or advanced players. There are also several specialty trumpets, such as C trumpets and piccolo trumpets that are mainly used in symphonic settings.
Trumpets are usually ranked as student, intermediate, and professional models. These are not precise categories but rather refer to overall quality and certain features. Use them for general guidance. In most cases, student trumpets are appropriate for beginning players, and intermediate instruments are appropriate for serious students of advancing abilities. Professional trumpets are for advanced players.
Bore
Bore is the inside diameter of the horn's tubing measured at the second valve slide. Most players use a bore from around .458" to .460". Horns with larger bores can be played with more power, but require more effort. They are usually used by advanced or professional musicians. For new and especially young players, a horn with a small bore is more appropriate because the small bore makes it easier to support a good tone.
Step-up features
A: Lead pipes
A lead pipe (also called a mouthpipe) is the pipe that goes from the mouthpiece to the main tuning slide. It can be made of yellow brass, red brass, or sterling silver. Red brass is often preferred for student horns because it is less susceptible to corrosion. Yellow brass requires more frequent cleaning. A silver lead pipe is a step-up feature found on intermediate and pro-level trumpets. There is also a reversed lead pipe where the tuning slide goes over, rather than into the lead pipe. It is a step-up feature, desirable because it makes an instrument offer less resistance.
B: Valves
Valves, or rather the valve pistons, come in a variety of metals. Nickel plated pistons are often found in student horns because they are hard, durable, and tolerant of infrequent cleaning. Monel pistons are another kind. Monel is an alloy that is softer than nickel plate and requires frequent cleaning and lubrication to perform at its best. It is super-resistant to corrosion so it can last longer, and it wears in for a great feel. Many professional instruments have Monel pistons and so do some student instruments. More often it is considered a step-up feature of an intermediate horn. Stainless steel pistons are yet another type. They are quite good and occasionally are found in intermediate and professional horns.
The critical factor is that valves play quickly and smoothly. This is the result of valves having been properly "lapped," the final process of making the piston fit the cylinder. Step-up horns often have hand-lapped valves which indicates an expert has performed this finish work by hand and made sure the valves work perfectly.
How To Select Your Trumpet
C: Bells
Bell materials also vary. Yellow brass is most common and is used in horns from student models to professional instruments. Rose brass bells are also common and impart a warmer, darker quality to the tone. Silver bells are less common and usually only found in high-grade horns. Nickel plate is another finish that once was common but is now seldom seen.
More important than the bell material is how the bell is made. The best bells are one piece, hand-hammered into shape over a mold by a skilled craftsman. It is felt that these bells vibrate more uniformly. Student and intermediate horns usually have welded bells. In recent years the technique of plasma welding has made these more like one-piece bells and is sometimes used for intermediate instruments. Bells also vary in size and taper, both of which can effect the sound of the instrument in subtle ways.
Finishes
Trumpets usually have a clear lacquer finish on a buffed brass surface. Another kind of finish is silver plate which is considered better than lacquer because it dampens vibration less than lacquer does. Silver plate is a flashier-looking finish, however, and a flashier-looking instrument can engender a pride that inspires greater enthusiasm for learning and playing the trumpet.
Often parents unfamiliar with brass instruments are faced with the task of selecting an instrument for their son or daughter. To help you sort through all the possibilities, our Giardinelli staff has put together this brief guide to choosing an appropriate trumpet.
Types of trumpets
This is easy. Basically, trumpets are all of a kind. You can think of cornets and flugelhorns as kinds of trumpets: same fingering, same key, same range, same basic design. They only differ in shape, length, and bore size. They all have the same kind of tone, just in different colorings. Trumpets have a sharp, brilliant sound. Cornets sound a little thicker and richer, and just slightly mellower. The flugelhorn's sound is very full and soft, even fluffy. Cornets have become more rare over the years but are considered the same as trumpets in school bands. Ask the director. Flugelhorns often serve as second instruments for intermediate or advanced players. There are also several specialty trumpets, such as C trumpets and piccolo trumpets that are mainly used in symphonic settings.
Trumpets are usually ranked as student, intermediate, and professional models. These are not precise categories but rather refer to overall quality and certain features. Use them for general guidance. In most cases, student trumpets are appropriate for beginning players, and intermediate instruments are appropriate for serious students of advancing abilities. Professional trumpets are for advanced players.
Bore
Bore is the inside diameter of the horn's tubing measured at the second valve slide. Most players use a bore from around .458" to .460". Horns with larger bores can be played with more power, but require more effort. They are usually used by advanced or professional musicians. For new and especially young players, a horn with a small bore is more appropriate because the small bore makes it easier to support a good tone.
Step-up features
A: Lead pipes
A lead pipe (also called a mouthpipe) is the pipe that goes from the mouthpiece to the main tuning slide. It can be made of yellow brass, red brass, or sterling silver. Red brass is often preferred for student horns because it is less susceptible to corrosion. Yellow brass requires more frequent cleaning. A silver lead pipe is a step-up feature found on intermediate and pro-level trumpets. There is also a reversed lead pipe where the tuning slide goes over, rather than into the lead pipe. It is a step-up feature, desirable because it makes an instrument offer less resistance.
B: Valves
Valves, or rather the valve pistons, come in a variety of metals. Nickel plated pistons are often found in student horns because they are hard, durable, and tolerant of infrequent cleaning. Monel pistons are another kind. Monel is an alloy that is softer than nickel plate and requires frequent cleaning and lubrication to perform at its best. It is super-resistant to corrosion so it can last longer, and it wears in for a great feel. Many professional instruments have Monel pistons and so do some student instruments. More often it is considered a step-up feature of an intermediate horn. Stainless steel pistons are yet another type. They are quite good and occasionally are found in intermediate and professional horns.
The critical factor is that valves play quickly and smoothly. This is the result of valves having been properly "lapped," the final process of making the piston fit the cylinder. Step-up horns often have hand-lapped valves which indicates an expert has performed this finish work by hand and made sure the valves work perfectly.
How To Select Your Trumpet
C: Bells
Bell materials also vary. Yellow brass is most common and is used in horns from student models to professional instruments. Rose brass bells are also common and impart a warmer, darker quality to the tone. Silver bells are less common and usually only found in high-grade horns. Nickel plate is another finish that once was common but is now seldom seen.
More important than the bell material is how the bell is made. The best bells are one piece, hand-hammered into shape over a mold by a skilled craftsman. It is felt that these bells vibrate more uniformly. Student and intermediate horns usually have welded bells. In recent years the technique of plasma welding has made these more like one-piece bells and is sometimes used for intermediate instruments. Bells also vary in size and taper, both of which can effect the sound of the instrument in subtle ways.
Finishes
Trumpets usually have a clear lacquer finish on a buffed brass surface. Another kind of finish is silver plate which is considered better than lacquer because it dampens vibration less than lacquer does. Silver plate is a flashier-looking finish, however, and a flashier-looking instrument can engender a pride that inspires greater enthusiasm for learning and playing the trumpet.
Windy City Trumpet Plunger Mute
The professional's choice
The Windy City Trumpet Plunger Mute is constructed of aluminum, has superb sound with an excellent growl, and is easier to hold than the traditional plunger mute. Lined with a neoprene rubber rim to prevent vibration. Gleaming brushed silver finish.
Windy City Copper Bottom Trumpet Cup Mute
Windy City Copper Bottom Trumpet Cup Mute
The Windy City Copper Bottom Trumpet Cup Mute is designed to be free-blowing in all registers. Its sound is rich and fuzzy a darker sound than the all-aluminum model.
Friday, April 14, 2006
Pro Tec Standard PRO PAC Trumpet Case
Pro Tec Standard PRO PAC Trumpet Case Black
Price: $69.99 Eligible for Free Shipping!
List Price: $114.00
Bach Mega Tone Trumpet Mouthpiece
Bach Mega Tone Trumpet Mouthpiece 5B
Price: $59.99 - $119.99 Eligible for Free Shipping!
List Price: $104.50 - $214.50
Giardinelli GTR 512 Professional Trumpet
Giardinelli GTR 512 Professional Trumpet Silver
Giardinelli GTR 512 Professional Trumpet Gold Lacquered
Price: $379.99 - $799.99 Eligible for Free Shipping!
List Price: $799.99 - $1,299.00
Thursday, April 13, 2006
King 2B Legend Jiggs Whigham Trombone Pack
This package features the King 2B Legend Jiggs Whigham Trombone designed especially for the needs of the lead player. Also includes a FREE Emo Wow Wow Harmon Mute, Jet Tone Urbie Green Mouthpiece and a copy of Leon Merian's book "Man Behind The Horn"!
Sunday, April 09, 2006
Jupiter 846 Lacquer Flugelhorn Package
Jupiter 846 Lacquer Flugelhorn Package
This package features the popular Jupiter 846 Lacquer Flugelhorn that offers a centered tone with a dark, rich sound. This package also includes a FREE Yamaha Silent Brass Trumpet & Flugelhorn System, Jet Tone 10FL Mouthpiece and a copy of Leon Merian's book "Man Behind The Horn"!
Yamaha YFH631G Professional Flugelhorn Pack
Yamaha YFH631G Professional Flugelhorn Pack
An amazing package featuring the Yamaha YFH631G Professional Flugelhorn with a gold brass bell for a dark rich sound. This package includes a FREE Yamaha Silent Brass Trumpet & Flugelhorn System, Jet Tone 10FL Mouthpiece and a copy of Leon Merian's book "Man Behind The Horn"!
Bach Protecto-Pads for Sousaphone
Bach Protecto-Pads for Sousaphone White Set
Constructed of high-quality, scratch-resistant vinyl that sandwiches thick foam padding and reinforcement wires. Shoulder pads provide maximum comfort and protection. Undercarriage pad protects the bottom bow from scratches, dents and finish wear. Pads use nylon straps for attachment. Available in black or white.
Monday, April 03, 2006
Sample Products Student Bb Trumpet
Sample Products Student Bb Trumpet
The Glenn Edward student Bb trumpet is designed with the beginner in mind. Featuring nickel silver valves for worry free performance, and a first valve thumb hook and third valve fixed finger ring for easy tuning adjustment. The medium-large bore enables young students to produce a good tone with minimal effort. A black ABS case and mouthpiece are included.
Selmer 1901S-80J
Selmer 1901S-80J "Chorus Bb Trumpet
Selmer (Paris) Key of Bb. .461" bore, Monel pistons, oversized bottom valve caps, shifted main tuning slide crook, silver-plated finish.
Yamaha YTR-9820C Custom Piccolo Trumpet
Keys of Bb/A. .445" bore, 4" one-piece bell, 4 Monel© pistons, mouthpipes for Bb or A, silver-plated finish. Includes case.
Yamaha YBL-622 Professional Bass Trombone Outfit
Yamaha YBL-622 Professional Bass Trombone Outfit
Key of Bb/F/D. Heavy-wall construction; .563" bore; 9-1/2" hand-hammered, one-piece gold brass bell; gold brass lead pipe; large shank mouthpiece receiver; chromeplated nickel silver inner slide, yellow brass outer slide, hand-lapped tuning slide and valves, semi-open wrap, double dependent rotors; detachable second rotor; slide lock; gold lacquer finish. Includes mouthpiece, slide cream, and wood case. All Yamaha wind instruments come with a limited 5-year warranty.
Yamaha YBL-622 Professional Bass Trombone Outfit Features:
* Key of Bb/F/D
* Heavy-wall construction
* .563" bore
* 9-1/2" hand-hammered, one-piece gold brass bell
* Gold brass lead pipe
* Large shank mouthpiece receiver
* Chromeplated nickel silver inner slide
* Yellow brass outer slide
* Hand-lapped tuning slide and valves
* Semi-open wrap
* Double dependent rotors
* Detachable second rotor
* Slide lock
* Gold lacquer finish
* Mouthpiece, slide cream, and wood case
Bach 50T3 Stradivarius Professional Bass Trombone
Bach 50T3 Stradivarius Professional Bass Trombone
Key of Bb/F/Gb. .562" large bore, 9-1/2" one-piece bell, chromeplated nickel silver inner slide, brass outer slide, open wrap, Thayer Valve rotor mechanism, double in-line independent rotor system, lacquer finish. Includes mouthpiece and deluxe wood shell case.
Bach 50T3 Stradivarius Professional Bass Trombone Features:
* Key of Bb/F/Gb
* .562" large bore
* 9-1/2" one-piece bell
* Chromeplated nickel silver inner slide
* Brass outer slide
* Open wrap
* Thayer Valve rotor mechanism
* Double in-line independent rotor system
* Lacquer finish
Friday, March 31, 2006
Bach Stradivarius Trumpet Comparison
Bach Stradivarius Trumpet Comparison
This family of trumpets lives up to the Stradivarius name. Designed 80 years ago by Vincent Bach and still made in the USA today in Elkhart, Indiana, Bach Stradivarius trumpets are recognized as some of the finest trumpets in the world. And we offer them with our 45-Day Complete Satisfaction and Lowest Price Guarantees. Stradivarius trumpets are offered with a broad array of features; the charts below will help you pick out the model that's right for you.
Bells
Fullness of sound and projection are the hallmarks of the Bach Stradivarius trumpets. The one-piece bell construction allows unrestricted vibration of the bell. Bells with fast tapers generate dark, warm tones, while slow tapers produce bright tones. Stradivarius trumpets are available in a number of different tapers, each with a unique tonal quality.
* 37: provides rich, compact sound with great projection
* 43: broader, brighter open tone
* 72: darker strong, powerful sound
* 25: sharper and slightly tighter with more focused projection
* 38: compact, fluid sound
* 239: big, rich, dark sound
The bell's material is also important to the trumpet's tone. The high copper content (85%) in gold brass makes it softer and redder than yellow brass (70%), yielding a warmer tone. For a focused sound with great projection, Sterling Plus bells—seamlessly constructed of 99.9% pure silver—create a full complement of overtones.
Mouthpipes
Like the bell, mouthpipes with fast tapers produce warm tones and slow tapers create bright sounds. Reversed construction allows a more open feel with less resistance by eliminating a step at the main tuning slide and maintaining a longer taper length for improved intonation. The rounded main tuning slide crook option eliminates tight bends so the air moves freely for a more open feel.
* 25: provides some resistance and is effective in centering or tying together tone production
* 25-Open: more open and free-blowing
* 7: more free-blowing with a darker tone
* 43: more flexible and open feeling with less resistance and a brighter sound
* 25C: same features as the 25
* 25A: longer version of 25C
Bore
The bore size also plays a role in a trumpet's tonal quality, but it's not as important as many musicians think. Most players opt for a medium-large bore. Larger-bore trumpets may have greater volume and carrying power, but they require more effort to play. The Vindabona dual bore has a medium-large valve section and a smaller inner diameter on top of the main tuning slide for a dark, warm sound.
* M: medium, .453" (11.51mm)
* ML: medium-large, .459" (11.66mm)
* MLV: Vindabona, .453"/.459" (11.51/11.66mm)
* L: large, .462" (11.74mm)
* XL: extra-large, .468" (11.89mm)
Another important feature of all Bach Stradivarius trumpets is the use of Monel pistons. The non-corrosive metal, hand-lapped fit, carefully aligned ports, and enclosed bronze springs ensure light, trouble-free action for years, and the nylon guides eliminate valve noise. All Bach Stradivarius trumpets include a mouthpiece and case.
180 Series Bb Stradivarius Trumpets
The 180 Series trumpets are the most popular Bach trumpets and are good for all-around playing. Shared features include standard-weight body and bell and standard 25 mouthpipe (except on XL and Vindabona bore models).
Monday, March 13, 2006
Bach 39 Pro Alto Trombone with Lightweight Slide
Bach 39 Pro Alto Trombone with Lightweight Slide
One of the best alto trombones around today. Well in tune and a beautiful singing sound. Key of Eb. This alto trombone features a light-weight nickel outer slide and gold brass bell.
One of the best alto trombones around today. Well in tune and a beautiful singing sound. Key of Eb. This alto trombone features a light-weight nickel outer slide and gold brass bell.
Yamaha YCR8335 Xeno Professional Bb Cornet Lacquer
Yamaha YCR8335 Xeno Professional Bb Cornet Lacquer
The Yamaha YCR8335 Bb Xeno Cornet was developed in conjunction with David King, cornet soloist and director of the Yorkshire Building Society Band. The Xeno Bb Cornet features a more open, colorful sound with improved playability plus a newly positioned first slide trigger for comfort.
The Yamaha YCR8335 Bb Xeno Cornet was developed in conjunction with David King, cornet soloist and director of the Yorkshire Building Society Band. The Xeno Bb Cornet features a more open, colorful sound with improved playability plus a newly positioned first slide trigger for comfort.
Tuesday, February 14, 2006
Besson BE982 Series Eb Tuba
Tuba and Sousaphone Online
"The Besson BE982 EEb Tuba is created with a high position mouthpipe for the marching band and is fitted with carriage rings and a lyre holder for comfort and convenience. Its slightly narrower mouthpipe gives the BE982 a brighter, clear tone"
"The Besson BE982 EEb Tuba is created with a high position mouthpipe for the marching band and is fitted with carriage rings and a lyre holder for comfort and convenience. Its slightly narrower mouthpipe gives the BE982 a brighter, clear tone"
Mainline Trombone Stand
"Our best value in trombone stands!! The Mainline features tubular design and holds your t-bone securely."
Mainline Trumpet Stand
Trumpet Info and Specs
"The Mainline stands represent one of the best deals in trumpet stands. They feature a tubular design that keeps them lightweight yet very sturdy. Black anodized."
"The Mainline stands represent one of the best deals in trumpet stands. They feature a tubular design that keeps them lightweight yet very sturdy. Black anodized."
Monday, February 13, 2006
Music123
Music123
"Baritone / Euphonium FAQ
Frequently Asked Questions concerning what to look for when purchasing a baritone or euphonium
Author: © 2004 Woodwind and Brasswind
Q. What is the difference between a baritone and a euphonium?
A. Simple. A baritone is cylindrical, the euphonium is conical. That is, a baritone has a bore that stays mostly the same size until the bell flare. A euphonium has a bore that gets larger all the way through the length of the instrument. In the United States, the instruments that are commonly used in bands are euphoniums.
Q. Should I buy a 3 or 4 valve euphonium?
A. A 4-valve euphonium is always the preferable choice. The addition of the extra valve, whether compensating or not, will greatly improve low range facility. The 4th valve will aid extension of the low register as well as improve low register intonation.
Q. What is the difference between a compensating and a non-compensating Euphonium?
A. A compensating euphonium simply adds extra tubing to “compensate” for the low register tendency of being sharp. When the 4th valve is depressed, air is redirected through an auxiliary set of slides on valves 1 through 3, when they are used. These auxiliary slides lower the pitch even more to help bring the lower notes closer to in tune. A non-compensating euphonium has a 4th valve that acts as any other valve. In this case, the pitch is lowered 2-1/2 steps. The performer must do any other adjustment needed to bring the low range in tune.
Q. What are the differences in mouthpiece shank sizes?
A. Many years ago, there was no industry standard for euphonium mouthpiece receivers. Over time, manufacturers found that they needed to make instruments that were compatible with modern mouthpieces. They found that the only difference between trombone and euphonium mouthpieces was in the shank size. (The shank size is the diameter and taper of the end of the mouthpiece that goes into the instrument.)"
"Baritone / Euphonium FAQ
Frequently Asked Questions concerning what to look for when purchasing a baritone or euphonium
Author: © 2004 Woodwind and Brasswind
Q. What is the difference between a baritone and a euphonium?
A. Simple. A baritone is cylindrical, the euphonium is conical. That is, a baritone has a bore that stays mostly the same size until the bell flare. A euphonium has a bore that gets larger all the way through the length of the instrument. In the United States, the instruments that are commonly used in bands are euphoniums.
Q. Should I buy a 3 or 4 valve euphonium?
A. A 4-valve euphonium is always the preferable choice. The addition of the extra valve, whether compensating or not, will greatly improve low range facility. The 4th valve will aid extension of the low register as well as improve low register intonation.
Q. What is the difference between a compensating and a non-compensating Euphonium?
A. A compensating euphonium simply adds extra tubing to “compensate” for the low register tendency of being sharp. When the 4th valve is depressed, air is redirected through an auxiliary set of slides on valves 1 through 3, when they are used. These auxiliary slides lower the pitch even more to help bring the lower notes closer to in tune. A non-compensating euphonium has a 4th valve that acts as any other valve. In this case, the pitch is lowered 2-1/2 steps. The performer must do any other adjustment needed to bring the low range in tune.
Q. What are the differences in mouthpiece shank sizes?
A. Many years ago, there was no industry standard for euphonium mouthpiece receivers. Over time, manufacturers found that they needed to make instruments that were compatible with modern mouthpieces. They found that the only difference between trombone and euphonium mouthpieces was in the shank size. (The shank size is the diameter and taper of the end of the mouthpiece that goes into the instrument.)"
French Horn FAQ
Music123
"French Horn FAQ
Frequently Asked Questions about the French Horn
Courtesy of: © 2004, Woodwind & Brasswind
Q. What is the difference between the single and double horn?
A. Single French Horns are most commonly built in the key of “F”, while double horns are in both “F” and “Bb”. Most beginners start on Single “F” horns because they are lighter, slightly more compact and therefore more portable; and because of their lightness, they are easier to hold and play, especially for the younger student. The addition of the “Bb” side to a horn mainly makes the higher range easier but the addition of the thumb trigger (that changes back and forth between “F” and “Bb” sides) does make the fingerings more complex.
Q. What are the differences between “Kruspe” wrap horns and “Geyer” wrap horns?
A. The most noticeable difference between Kruspe wrap horns and Geyer wrap horns is the positioning of the “Bb/F” thumb rotor. On the Kruspe style horns the change valve is located before the three main valves. (This is the most common style of horn built today.) On the Geyer style horns, the change valve is located after the three main valves. The positioning of the change valve on the Geyer style horns virtually eliminates all the sharp bends in the tubing. Geyer wrap horns have historically been medium bell horns, where Kruspe wrap horns have been larger bell horns. Neither design seems to be inherently superior nor fine horns are made in both designs.
Q. What is the difference between medium size bell horns and larger bell horns?
A. Larger bell horns are mot as resistant and are “free blowing” instruments. They do take more air to play and are better suited to larger ensembles that demand more constant loud playing. Medium/small bell horns tend to have more resistance but quicker response. In general, they are preferred by players in smaller groups or that do solo playing."
"French Horn FAQ
Frequently Asked Questions about the French Horn
Courtesy of: © 2004, Woodwind & Brasswind
Q. What is the difference between the single and double horn?
A. Single French Horns are most commonly built in the key of “F”, while double horns are in both “F” and “Bb”. Most beginners start on Single “F” horns because they are lighter, slightly more compact and therefore more portable; and because of their lightness, they are easier to hold and play, especially for the younger student. The addition of the “Bb” side to a horn mainly makes the higher range easier but the addition of the thumb trigger (that changes back and forth between “F” and “Bb” sides) does make the fingerings more complex.
Q. What are the differences between “Kruspe” wrap horns and “Geyer” wrap horns?
A. The most noticeable difference between Kruspe wrap horns and Geyer wrap horns is the positioning of the “Bb/F” thumb rotor. On the Kruspe style horns the change valve is located before the three main valves. (This is the most common style of horn built today.) On the Geyer style horns, the change valve is located after the three main valves. The positioning of the change valve on the Geyer style horns virtually eliminates all the sharp bends in the tubing. Geyer wrap horns have historically been medium bell horns, where Kruspe wrap horns have been larger bell horns. Neither design seems to be inherently superior nor fine horns are made in both designs.
Q. What is the difference between medium size bell horns and larger bell horns?
A. Larger bell horns are mot as resistant and are “free blowing” instruments. They do take more air to play and are better suited to larger ensembles that demand more constant loud playing. Medium/small bell horns tend to have more resistance but quicker response. In general, they are preferred by players in smaller groups or that do solo playing."
Friday, February 03, 2006
Kanstul ZKC1531 Professional Bb Cornet
More Info and Specs
"This professional Bb cornet features triggers on both the first and third valves slides for precise tuning. Two Amado water keys, plus hand fitted Monel valves with metal valve guides for worry-free performance. This cornet will meet and surpass the needs of any performer."
"This professional Bb cornet features triggers on both the first and third valves slides for precise tuning. Two Amado water keys, plus hand fitted Monel valves with metal valve guides for worry-free performance. This cornet will meet and surpass the needs of any performer."
Yamaha YTR8335 LA Series Custom Bb Trumpet
More Info and Specs
"The YTR8335 LA Series Custom Bb Trumpet was developed in cooperation with famed LA studio veteran Wayne Bergeron. Designed for players needing an open instrument that is flexable and free-blowing, takes the same bell of the Yamaha 8301Z trumpet and adds a large bore tuning slide and a Malone MB1 leadpipe. Perfect for the needs of both the soloist and the lead player in the trumpet section."
"The YTR8335 LA Series Custom Bb Trumpet was developed in cooperation with famed LA studio veteran Wayne Bergeron. Designed for players needing an open instrument that is flexable and free-blowing, takes the same bell of the Yamaha 8301Z trumpet and adds a large bore tuning slide and a Malone MB1 leadpipe. Perfect for the needs of both the soloist and the lead player in the trumpet section."
Thursday, January 26, 2006
Bach VBS196 Bb/A Piccolo Trumpet
More Info and Specs
"The Bach VBS196 Bb/A Piccolo Trumpet features four Monel piston valves with the Bob Reeves patented valve alignment system for excellent response and worry free use. Available with a trumpet or cornet mouthpiece receiver, this piccolo trumpet also has an extra 'G' slide. Includes a leather gig bag and Bach 7E mouthpiece."
"The Bach VBS196 Bb/A Piccolo Trumpet features four Monel piston valves with the Bob Reeves patented valve alignment system for excellent response and worry free use. Available with a trumpet or cornet mouthpiece receiver, this piccolo trumpet also has an extra 'G' slide. Includes a leather gig bag and Bach 7E mouthpiece."
Bach Stradivarius Chicago C Trumpet
More Info and Specs
"The Bach Stradivarius Chicago C Trumpet is modeled after the C trumpets sold to the Chicago Symphony Orchestra over 50 years ago and that are still being used today. A yellow brass body with a lightweight #229 bell with a classic French bead flat rim for outstanding projection and tone. This trumpet also has a .462' bore and special leadpipe based on Vincent Bach's original designed. 1st valve thumb ring for easier tuning adjustment and narrower bell to valve casing and valve casing to leadpipe braces for improved resonance. Silver plate finish only."
"The Bach Stradivarius Chicago C Trumpet is modeled after the C trumpets sold to the Chicago Symphony Orchestra over 50 years ago and that are still being used today. A yellow brass body with a lightweight #229 bell with a classic French bead flat rim for outstanding projection and tone. This trumpet also has a .462' bore and special leadpipe based on Vincent Bach's original designed. 1st valve thumb ring for easier tuning adjustment and narrower bell to valve casing and valve casing to leadpipe braces for improved resonance. Silver plate finish only."
Friday, January 13, 2006
Thursday, January 05, 2006
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